The tools for making these digital prints include, usually, digital cameras, then various kinds of image-handling software, which typically obscures or even obliterates the literal realism of the photograph.

Some images, however, are created without photography—drawn with a digital pen on a digital tablet directly into the computer. This restores a bit of manual craft to the process, but not much. No need to wash hands and brushes afterwards.

A typical image goes through many hours and sometimes many weeks of revision. This is a dangerous attribute of digital image technology--you can "erase" in a keystroke, replace what you erased in another stroke, and stay up past midnight changing your changes in a way never possible in traditional methods of drawing, painting, or printmaking. And, because the easily-altered computer file remains behind after the image is printed, you never really know when you're done.

The printing method itself is often called, somewhat pretentiously, “giclee” (zhee-clay), after the French word for spray or spurt.  Adapted for computer printing, it applies to digitally created images of an archival quality and high artistic value, almost always printed with ink-jet technology on fine paper.

Small images are often printed by Kraemer himself, but larger ones are done commercially, under the direction of the artist.  Prints can be made to a size specified by the client.  Any size is possible (within limits), but standard long-dimension sizes are (approximately):

10” 12" 14” 16" 20” 24” 28” 32” 36" 40" and up

The long dimension is usually horizontal, but not always.  The ratio of long to short dimension varies from print to print, but, with some very dramatic exceptions, most images are close to the traditional 3:4 proportion.

Every image is strictly limited to a print “run” of 15 prints, regardless of size.   This limit increases the value of each individual print.   

All prints are signed by the artist.  As a precaution against theft, loss, or damage, the computer image file is kept by the artist, enabling him to reprint any customer’s image for only the cost of the printing itself.